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This edition is the first presentation of a new series of photographs made by Louise Lawler. The artist took them in museums by deliberately moving her camera while the shutter was open, thus blurring the artworks’ outlines and shifting the perspectives. With its vaporous surfaces and layering effects, Misugoshi: Three Flags (swiped) acquires an almost pictorial quality. Jasper Johns’ iconic Three Flags (1958) dissolves into abstraction—an ironic reversal for a painting that had challenged the abstract dogma of its own time.
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